Upcoming reviews

Hello friend!

As you’ll know if you’ve been regularly checking the site, That Was A Bit Mental is once again producing film reviews on a relatively regular basis. Since the start of 2014 I’ve already posted 24 reviews, and considering we’re only into March and I posted a total of 23 articles in the whole of 2013, that’s pretty good going.

I thought I’d take a minute to let you know what reviews I have planned for That Was A Bit Mental in the coming months. This is by no means a definitive list – there are some films in here that may not get reviewed any time soon, and there may be some films not in the list that end up getting reviewed. It’s just a general plan.

If there’s anything not on here that you want to see me tackling, by all means let me know by commenting below or emailing me at chris@thatwasabitmental.com – I’ll happily try to track down and review any films you recommend.

That said, here’s what you can roughly expect to see on That Was A Bit Mental over the next few months. Continue reading “Upcoming reviews”

The Killers (1964) review

The Killers posterDirector: Don Siegel

Starring: Lee Marvin, Angie Dickinson, John Cassavetes, Clu Gulager, Ronald Reagan

“It’s not only the money. Maybe we get that and maybe we don’t. But I gotta find out what makes a man decide not to run. Why, all of a sudden, he’d rather die.” (Charlie, The Killers)

I’ve never been a professional hitman (*taps nose*) but I’m sure if I was I wouldn’t be surprised to see most of my targets leg it as soon as they noticed their time was potentially up.

Charlie (the legendary Lee Marvin) shares my opinion. That’s why, after being hired to put a hit on a guy said to have stolen a million dollars, Charlie is curious to know why said chap didn’t try to run away before he was shot down.

Eager to know what’s going on, Charlie and his hitman partner Lee (Clu Gulager) begin a line of enquiries that see them visiting a string of friends – and enemies – of Johnny North, the man he was paid to kill. Continue reading “The Killers (1964) review”

The Burning (1981) (Video Nasty review #9)

The Burning posterDirector: Tony Maylam

Starring: Brian Matthews, Leah Ayres, Brian Backer, Jason Alexander

“They never found his body, but he survived. He lives on whatever he can catch. Eats them raw, alive. No longer human. Right now, he’s out there. Watching, waiting. Don’t look: he’ll see you. Don’t move: he’ll hear you. Don’t breathe: you’re dead!” (Todd, The Burning)

Although there were a number of slasher films before Friday The 13th (most notably Halloween and Black Christmas), it was that film’s success which led to the birth of a sub-genre that was by far the most oft-imitated during the ’80s: the camp slasher.

(Obviously, by that I mean slasher films set in a summer camp, as opposed to films where a killer prances around going “oo-er missus” before stabbing someone.)

One of the earliest imitations – and one of the best, actually – was The Burning, a film written and produced by the then-indie Weinstein brothers and their small studio Miramax. Continue reading “The Burning (1981) (Video Nasty review #9)”

Before they were famous: 40 big name actors and their horror film pasts

Everybody’s got to start somewhere, and not every actor saunters straight into an Oscar-winning role in their debut performance.

Who's this? Find out below.
Who’s this? Find out the answer below: she’s the first entry

No, most start off doing cheap or independent films: mostly just to get work and have some actual acting roles to put in their resume, but also in the hope that their performance will get them noticed by one of the big studios.

Everyone in this feature has two things in common. Firstly, they are (or were at one point) all considered major actors or actresses.

Secondly, they all starred in horror films very early in their acting careers. A rare few struck it lucky with horror movies that would become hugely successful: Jamie Lee Curtis in Halloween springs to mind.

However, the vast majority instead featured in cheesy low-budget B-movie horrors, the sort of pish they’d rather forget they were ever in. You know, the sort of stuff I review on here.

Here, then, in order of surname, is my handy list of major actors and actresses who found themselves in (usually extremely low budget) horror films early in their careers. Just to make sure they won’t be able to forget them.

Continue reading “Before they were famous: 40 big name actors and their horror film pasts”

Doctor Mordrid (1992) review

Doctor Mordrid posterDirectors: Albert Band, Charles Band

Starring: Jeffrey Combs, Yvette Nipar, Brian Thompson, Jay Acovone

“Before this is over, I will drink your blood and feed on your flesh, and it will taste sweet.” (Kabal, Doctor Mordrid)

The story goes that indie studio Full Moon had originally done a deal with Marvel Comics to make a film adaptation of its Dr Strange comics. However, negotiations fell apart at the last minute and so an extensive rewrite was needed.

The result was Doctor Mordrid, a film that doesn’t share an awful lot with Marvel’s hero other than his titular medical qualifications. That’s not to say it doesn’t still have a degree of charm, though.

Doctor Anton Mordrid has been living in New York for 150 years, waiting for the promised return of the evil Kabal (Brian Thompson, best known for playing an alien bounty hunter in The X-Files), who a prophecy dictates will eventually break out of his dimensional space castle prison cell and come to Earth. Seriously. Continue reading “Doctor Mordrid (1992) review”

Robot Wars (1993) review

Robot Wars posterDirector: Albert Band

Starring: Don Michael Paul, Barbara Crampton, James Staley, Lisa Rinna, Danny Kamekona

DRAKE – “It’s getting ugly out here chief, request surface troops on the double.”

LT PLUNKETT – “Request denied. Stop acting like a weak sister.”

As you may have guessed, this review isn’t about the 1998 BBC TV show in which Craig Charles commentated while a bunch of pale recluses battled their own custom-made robots, before fidgeting nervously as the producers cruelly get a beautiful woman to try and get an excruciating interview out of them.

No, this is yet another low-budget offering by beloved B-movie studio Full Moon, this time pitting two massive mechanical monstrosities against each other while the filmmakers cruelly get a beautiful woman to try and solve a mystery in the process.

So you see, it’s very different. Except for the big robots and the beautiful woman. And the cruelty. Continue reading “Robot Wars (1993) review”

Hideous! (1997) review

Hideous posterDirector: Charles Band

Starring: Mel Johnson Jr, Michael Citriniti, Jacqueline Lovell, Rhonda Griffin, Tracie May

“You’re fired! You’re fired from everywhere! You’re fired from the fucking universe!” (Belinda, Hideous!)

What’s the oddest thing you’ve ever found in a sewer? What’s that? You don’t do raking around in sewers? Oh. Right. Um, me neither.

But if I did, chances are I probably wouldn’t come across odd little mutant baby things. That’s what one sewage treatment worker finds at the start of Hideous!, another low-budget grotfest from indie horror studio Full Moon.

The man hands over said mutation to Belinda Yost, a woman who specialises in selling mutations to collectors. Which is one hell of a niche market, but let’s go with it for the sake of the film. Continue reading “Hideous! (1997) review”

The Amityville Asylum (2013) review

The Amityville Asylum posterDirector: Andrew Jones

Starring: Sophia Del Pizzo, Lee Bane, Andy Evason, Eileen Daly

LISA – “What’s that smell?”

DELANEY – “It always hangs in the air. No matter how much we bleach the floor, there is always that smell of death.”

In December 1975, George and Kathy Lutz moved into 112 Ocean Avenue, a house in Amityville where thirteen months previously, a man had shot and killed six members of his family.

The Lutz family left the house after only a month, claiming they had been terrorised by evil paranormal forces living there. A book entitled The Amityville Horror was released two years later and the story went on to spawn a number of movies.

The Amityville Asylum is the eleventh movie to use the Amityville story as part of its plot, but in reality this review’s already discussed it more than the film does. Continue reading “The Amityville Asylum (2013) review”

Black Christmas (1974) review

Black Christmas posterDirector: Bob Clark

Starring: Olivia Hussey, Margot Kidder, John Saxon, Keir Dullea, Marian Waldman

Also known as: Silent Night, Evil Night (USA title)

“Little baby bunting, daddy’s went a-hunting, gonna fetch a rabbit skin to wrap his baby Agnes in.” (The Killer, Black Christmas)

Although Halloween is credited as the film that kicked off the slasher genre and Friday The 13th is the considered the one that inspired a slew of imitations, Black Christmas pre-dates them both by nearly half a decade.

This makes it all the more impressive, then, that despite being one of the earliest proper examples of the genre, it remains one of the better slasher movies 40 years after its original release. Continue reading “Black Christmas (1974) review”

Frost (2012) review

Frost posterDirector: Reynir Lyngdal

Starring: Anna Gunndís Guðmundsdóttir, Björn Thors

“If anyone can hear me, my name is Agla Helgadottir and I am calling from the base camp of the glacial research expedition. There are two of us here. One man is dead and five others are missing. Please send help, I don’t know what is going on here.” (Agla, Frost)

Unlike many horror film fans, I’m not yet sick of the ‘found footage’ genre. First made popular with The Blair Witch Project (although Cannibal Holocaust preceded it by decades), when a film uses it properly it can be bloody effective.

Unfortunately, most films don’t. For the most part, ‘found footage’ is a solution to a problem – usually a funding one – rather than a deliberate artistic style. Why bother with lighting, shot composition and the like when you can just go down the shakycam route and slash the budget drastically?

Frost is, unfortunately, one of the worst examples of this I’ve seen in a long time.  Despite having a potentially interesting setting for a film of this genre and a trailer that genuinely excited me, the actual result falls short in so many ways it might as well have been directed by a midget to complete the full set. Continue reading “Frost (2012) review”