Director: Tim Burton
Starring: Asa Butterfield, Eva Green, Ella Purnell, Samuel L Jackson, Terence Stamp, Chris O’Dowd
“Because our abilities don’t fit in the outside world, we live in places like this, where no-one can find us.” (Miss Peregrine, Miss Peregrine’s Home For Peculiar Children)
If you’ve read anything about Tim Burton’s latest film you’ll probably have seen countless comparisons to the X-Men movies, due to the fact it’s set in a school occupied with children with special powers.
But I’m not that lazy.
Instead, I hereby declare that Miss Peregrine’s Home For Peculiar Children is in fact Tim Burton’s version of The Raggy Dolls, the popular British ‘80s and ‘90s cartoon in which a group of wee dudes with abnormalities team up to fight crime or something.
(I don’t know if the Raggy Dolls actually fought crime, I didn’t really watch it. I just liked the theme tune.) Continue reading “Miss Peregrine’s Home For Peculiar Children (2016) review”
Director: Maxwell Munden
Starring: Michael Gough, Patricia Roc, Ronald Howard
CAROL: “Spencer’s a lonely man I feel I can help, even if it’s only by letting him paint me. I don’t think I’m able to help my husband no matter how hard I try.”
MICHAEL: “I’m sorry darling. But you see, sometimes a man can sense an inner corruption in another man that is hidden from a woman by sentiment and sex.”
CAROL: “Inner corruption in another man! How do you know you’re not fighting it in yourself?”
Michael Gough was a legendary English actor who appeared in over 200 film roles over the course of nearly 60 years.
Perhaps best known to modern and international audiences as Alfred in all four 1990s Batman films, Gough had been a star of British stage and screen for decades before this.
The House In The Woods is one of his earlier roles, and though it’s more or less been forgotten over time it’s still a decent example of his ability to drive a film with his performance. Continue reading “The House In The Woods (1957) review”
Head chefs: Conrad Vernon and Greg Tiernan
Ingredients: Seth Rogen, Kristen Wiig, Michael Cera, Jonah Hill, Edward Norton, Salma Hayek, Nick Kroll, David Krumholtz, Paul Rudd, James Franco, Danny McBride, Craig Robinson, Bill Hader
“We’re the non-perishables, motherfucker.” (Mr Grits, Sausage Party)
Take one hot dog sausage (Rogen) and one hot dog bun (Wiig), destined to be together but forced to sit separate from each other in their packaging prisons on a supermarket shelf.
Pre-heat a premise about a promised land said to lie outside the supermarket’s doors, one in which any foods chosen by ‘the gods’ (humans) will get everything they desire. Keep this premise simmering throughout, regularly adding religious nods to taste.
Add a sub-plot involving two more sausages (Cera and Hill) who find themselves chosen for the promised land but quickly discover that the food paradise they expected is actually a kitchen-based massacre of biblical proportions. Continue reading “Sausage Party (2016) review”
Director: John McTiernan
Starring: Chris Klein, LL Cool J, Jean Reno, Rebecca Romijn, Naveen Andrews
“ROLLERBALL!” (Paul Heyman, Rollerball)
As I wrote in my recent review, the original 1975 version of Rollerball is a fantastic, prescient commentary on the way massive corporations suffocate society.
It’s also a superb action movie, with plenty of high-paced and violent sequences with rollerskates, motorbikes, fists and feet flying all over the place.
What a difference 27 years makes, then, because the 2002 remake is one of the biggest piles of vapid cockwash ever committed to celluloid. Continue reading “Rollerball (2002) review”
Director: Norman Jewison
Starring: James Caan, John Houseman, Maud Adams, John Beck, Moses Gunn
“Corporate society takes care of everything. And all it asks of anyone, all it’s ever asked of anyone ever, is not to interfere with management decisions.” (Mr Bartholomew, Rollerball)
The best futuristic movies are those grounded in reality, the ones that aren’t just flying cars and laser guns but actually feel like they really could happen in the years to come.
Although some elements of Rollerball may not fall under this category – I don’t see a sport in which deaths are considered acceptable coming any time soon – so much of it feels remarkably spot on 40 years after its release. Continue reading “Rollerball (1975) review”
Director: John McPhail
Starring: Tyler Collins, Lucy-Jane Quinlan, Alison Peebles, Deirdre Murray, Richard Addison, Maryam Hamidi
“My granddad had to move in here. I couldn’t leave him here. He’s my granddad.” (James, Where Do We Go From Here?)
Here’s a disclaimer: I’m friends with writer/director John McPhail, the man behind such lovely short films as Just Say Hi and V For Visa.
Here’s another: I’m one of the 264 people who contributed to the crowdfunding project for Where Do We Go From Here?, his first feature-length film.
And here’s a final one: disclaimers are shite.
You see, I feel the need to tell you the above so that some clever dick doesn’t come across this review, get suspicious and realise I have a connection with the film.
But it’s shite because, friendship and funding aside, I adore this wee film with all my heart. Continue reading “Where Do We Go From Here? (2015) review”
Directors: James & Jon Kondelik
Starring: Dean Cain, Robin Givens, Tamara Goodwin, Matt Mercer, Morgan West, Lawrence Hilton-Jacobs
VAUGHN – “My name is Private Vaughn. Can you tell me what your situation status is?”
LANDON – “Uh, sure, situation status. Uh, we lost both our pilots, we nearly crashed, we nearly blew up and there’s this guy up here who’s super close to a psychotic meltdown. Oh, and we’re flying in the middle of a ring of volcanoes.”
VAUGHN – “Okay, Roger that.”
Usually B-movie studio The Asylum is best known for its mockbuster films, capitalising on the success of big movies by churning out similar sounding imitations.
Snakes On A Train, Android Cop, Atlantic Rim – these are the typical offerings you’d expect from The Asylum, conveniently released around the same time as their big-budget soundalikes (in this case Snakes On A Plane, Robocop and Pacific Rim).
Airplane vs Volcano attempts to cash in not on a big movie, but seemingly on a big news story – namely, the volcanic ash clouds that grounded flights back in 2010. Continue reading “Airplane vs Volcano (2014) review”
Director: John Boorman
Starring: Sean Connery, Charlotte Rampling, John Alderton, Sara Kestelman, Niall Buggy, Sally Anne Newton
ZARDOZ – “You have been raised up from brutality to kill the Brutals who multiply and are legion. To this end Zardoz, your God, gave you the gift of the gun. The gun is good!”
EXTERMINATORS – “The gun is good!”
ZARDOZ – “The penis is evil! The penis shoots seeds and makes new life to poison the Earth with a plague of men, as once it was. But the gun shoots death and purifies the Earth of the filth of Brutals. Go forth and kill! Zardoz has spoken.”
I don’t know how I feel about John Boorman.
The English director has been responsible for both one of the most effective films I’ve seen (Deliverance), and one of the most infuriating piles of pish I’ve ever had to struggle through (Exorcist II: The Heretic).
Zardoz, his bizarre sci-fi film in which a half-naked Sean Connery tries to bring down a community of immortals in the year 2293, has me similarly conflicted. It’s both shite and incredible at the same time, but leaning slightly towards the latter. Continue reading “Zardoz (1974) review”
Director: James Fargo
Starring: Pia Zadora, Tom Nolan, Craig Sheffer, Michael Berryman, Ruth Gordon, Alison La Placa
“I still can’t believe you’re an alien. What a novelty act!” (Dee Dee, Voyage Of The Rock Aliens)
One day in the future, when I have children, there will come a day when I’m asked “dad, what were the ’80s like?”
I already know how I’ll respond. Without saying a single word I’ll gesture to the couch, insist they sit down, turn the telly on and make them watch Voyage Of The Rock Aliens. Just to fuck with them. Continue reading “Voyage Of The Rock Aliens (1984) review”
Director: Jonathan Winfrey
Starring: Victor Webster, Jennifer Spence, Tiera Skovbye, Richard Harmon, Mike Dopud
COP – “We got a meteor strike: how cool is that?”
CHARLIE – “Well, people are dead, so not very.”
I’m a sucker for a cheesy pun-based title – Poltreygeist, The Gingerdead Man and the like – but Icetastrophe is a fairly rubbish one, let’s face it. That isn’t really a pun.
Regardless, what we have here is yet another low-budget made-for-Syfy film dealing with a natural disaster. And as if you can’t tell from its sloppy moniker, this time we’re dealing with ice.
Specifically, it’s ice that’s come from a meteor, which crash-lands in a small mountain town and creates a massive flash freeze for reasons which are never really explained. Continue reading “Icetastrophe (2014) review”