Then you may get the occasional Return Of The Living Dead, or – if the person you’re asking knows their video nasty history – Zombie Flesh Eaters.
This is all perfectly understandable, mind – all five of the above are fantastic films – but there are plenty of excellent old zombie movies that, for some reason, never quite reached that same level of universal notoriety and acclaim.
Starring: Jon Mikl Thor, Teresa Simpson, Jim Cirile, Jillian Peri, David Lane, Denise Dicandia, Frank Dietz, Liane Abel, Adam Fried
Also known as: The Edge Of Hell
“You killed no one, Bub. Or is it less familiar to call you Beelzebub? Or do you prefer Abaddon? Or, as the Hindus called you, Shaitan? Or, as you are known to answer to, Ahriman? Belial? Apollyon? Asmodeus? Because, you see… I do know you.” (John Triton, Rock ‘n’ Roll Nightmare)
Well, now. Where to begin.
If you aren’t aware of Jon Mikl Thor, his Wikipedia page describes him as “a bodybuilding champion, actor, songwriter, screenwriter, historian, vocalist and musician”.
Directors: David Bruckner, Glenn McQuaid, Joe Swanberg, Ti West, Adam Ingard, Radio Silence
Starring: Hannah Fierman, Mike Donlan, Drew Swayer, Joe Sykes, Joe Swanberg, Sophia Takal, Norma C Quinones, Drew Moerlein, Helen Rogers, Daniel Kaufman, Chad Willella, Nicole Erb
“You’re all gonna fucking die up here.” (Wendy, V/H/S)
I’ve spoken of the low-budget junkyard that is the found footage genre a number of times on TWABM in the past.
While early examples like Cannibal Holocaust and The Blair Witch Project felt fresh and genuinely terrifying, for the most part the genre has since become a cop-out, an easy way for talent-starved directors to make a cheap horror movie without much effort or skill.
V/H/S falls firmly in this latter category, offering a selection of creepy tales that are made better by their low-quality production values rather than forced to grudgingly accept them as a necessary evil. Continue reading “V/H/S (2012) review”→
Starring: Dean Cain, Robin Givens, Tamara Goodwin, Matt Mercer, Morgan West, Lawrence Hilton-Jacobs
VAUGHN – “My name is Private Vaughn. Can you tell me what your situation status is?”
LANDON – “Uh, sure, situation status. Uh, we lost both our pilots, we nearly crashed, we nearly blew up and there’s this guy up here who’s super close to a psychotic meltdown. Oh, and we’re flying in the middle of a ring of volcanoes.”
VAUGHN – “Okay, Roger that.”
Usually B-movie studio The Asylum is best known for its mockbuster films, capitalising on the success of big movies by churning out similar sounding imitations.
Snakes On A Train, Android Cop, Atlantic Rim – these are the typical offerings you’d expect from The Asylum, conveniently released around the same time as their big-budget soundalikes (in this case Snakes On A Plane, Robocop and Pacific Rim).
Starring: Sean Connery, Charlotte Rampling, John Alderton, Sara Kestelman, Niall Buggy, Sally Anne Newton
ZARDOZ – “You have been raised up from brutality to kill the Brutals who multiply and are legion. To this end Zardoz, your God, gave you the gift of the gun. The gun is good!”
EXTERMINATORS – “The gun is good!”
ZARDOZ – “The penis is evil! The penis shoots seeds and makes new life to poison the Earth with a plague of men, as once it was. But the gun shoots death and purifies the Earth of the filth of Brutals. Go forth and kill! Zardoz has spoken.”
I don’t know how I feel about John Boorman.
The English director has been responsible for both one of the most effective films I’ve seen (Deliverance), and one of the most infuriating piles of pish I’ve ever had to struggle through (Exorcist II: The Heretic).
Zardoz, his bizarre sci-fi film in which a half-naked Sean Connery tries to bring down a community of immortals in the year 2293, has me similarly conflicted. It’s both shite and incredible at the same time, but leaning slightly towards the latter. Continue reading “Zardoz (1974) review”→
Starring: Bruce Campbell, Sarah Berry, Dan Hicks, Kassie Wesley, Denise Bixler, Richard Domeier
HENRIETTA: “I’ll swallow your soul! I’ll swallow your soul! I’ll swallow your soul!”
ASH: (points shotgun) “Swallow this.”
When The Evil Dead was released in 1981 it completely blew away the horror film industry.
With their titchy $375,000 budget director Sam Raimi, producer Bob Tapert, actor Bruce Campbell et al created a horror classic jammed fit to bursting with effective scares, laugh-out-loud moments and gallons of gore.
MR BRANSON: “The gothic genre is all over TV right now. American Horror Story, Hannibal, Bates Motel…”
JAKE: “What about Texas Chainsaw or Halloween?”
NOAH: “Those are slasher movies. You can’t do a slasher movie as a TV series.”
The recent tragic passing of the legendary Wes Craven led to an outpouring of support on social media as dedicated and lapsed fans alike took to Twitter to namecheck their favourite Craven movies.
The vast majority of them didn’t realise just how fitting their tributes were, as Craven died just before the airing of the final episode of Scream, a TV series based on his genre-redefining horror film and airing on MTV.
You see, whereas the original Scream, released in 1996, had the killer mostly contacting his victims via phone calls, this time the reimagined Ghostface uses all manner of techniques – yes, including social media – to stalk potential future corpses. Continue reading “Scream: The TV Series (2015) review”→