The Wasp Woman (1959)

Director: Roger Corman

Starring: Susan Cabot, Michael Mark, Anthony Eisley

“Something’s happening to me. I can’t control it.” (Janice, The Wasp Woman)

If I had a penny for every 50s movie that copied the whole “scientific process goes boink” set-up of The Fly, I’d probably have around 20-25p to my name. What can I say, I’m realistic. Either way, The Wasp Woman is one such movie, and while its setting and plot begin differently to that of The Fly, things soon start to get very familiar.

After neglecting his job as a beekeeper by instead catching wasps and performing experiments on them in his office, the eccentric and elderly Eric Zinthrop is told to piss off and take his wanky little wasps with him (well, he’s fired, but I like my wording better). As far as Zinthrop sees it, it’s their loss, because he’s close to a major breakthrough on a new anti-aging formula that uses a queen wasps’ royal jelly instead of that of a queen bee.

"No, I don't dye my eyebrows you prick"

Zinthrop pays an unannounced visit to Starlin, a cosmetic firm in New York, and asks for an audience with their owner Janice Starlin. He shows her what he’s got – a serum that when injected into an animal doesn’t just stop it from aging, but actually reverses the process and makes it look younger. Stunned, Janice gives him an immediate contract and promises to pay him anything he wants to develop and perfect the formula exclusively for her company.  Continue reading “The Wasp Woman (1959)”

Monster House (2006)

Director: Gil Kenan

Starring: voices of Mitchel Musso, Sam Lerner, Spencer Locke, Steve Buscemi

“Are you guys mentally challenged? Because if you are, I’m certified to teach you baseball.” (Jenny, Monster House)

DJ and Chowder have the feeling that not all is right with the creepy house across the road. After its owner, the evil Mr Nebbercracker (Buscemi), has a heart attack and is sent to hospital the house appears to take on a life of its own, terrorising the local residents. But surely there has to be a more logical explanation for this… after all, houses don’t just come to life and eat people, do they? You bet your balls they do.

"You're right, he does look a little bit like a chubby Jamie Oliver"

After witnessing the creepy chateau coming alive and saving a girl called Jenny from its evil clutches DJ, Chowder and their new lady chum decide to work together to put an end to the evil house so the rest of the street will be safe.

Despite being a movie aimed at children, Monster House feels a lot like The Goonies and The Monster Squad in that it appeals to adults too because the children in it are so believable. There’s no “gee whiz mom” lines or “mwa wa waaa” musical stings throughout, this is a film that feels surprisingly realistic despite its use of stylised CGI animation.  Continue reading “Monster House (2006)”

Chronicle (2012)

Director: Josh Trank

Starring: Dane DeHaan, Alex Russell, Michael B Jordan

“There’s this thing, right, it’s called the apex predator. And basically what this is, is the strongest animal in the ecosystem, right? And as human beings, we’re considered the apex predator but only because smaller animals can’t feed on us because of weapons and stuff, right? A lion does not feel guilty when it kills a gazelle, right? You do not feel guilty when you squash a fly. And I think that means something.” (Andrew, Chronicle)

Andrew is not a cheery chappy. His mum is dying, his alcoholic dad beats him and he’s got no friends. His only solace is a video camera that he uses to film his life and document the various goings-on around him. In short, things could be going better.

The three leads work well together and are very convincing chums

One night at a party Andrew’s cousin Matt and Steve Montgomery – a popular kid running for school president – ask Andrew to come with them to film a huge hole they’ve found in the woods. While investigating the hole the trio fall in and end up in a cave, where they find a huge glowing structure. Some weird shit goes down and the camera glitches out and breaks, switching off.

We rejoin them a short while later after the three teens have somehow managed to leave the cave. Things are different though – they now have super powers. At first they’re able to simply move objects with their mind, but as they flex their telekinesis “muscles” and are able to move progressively larger objects, things get a little more serious and Andrew starts toying with the idea of using his powers to punish the society that shunned him.  Continue reading “Chronicle (2012)”

Paranormal Activity (2007)

Director: Oren Peli

Starring: Katie Featherston, Micah Sloat

MICAH – “What if we just get this Ouija board and we find out what it wants and then we give it what it wants? Then it’s gone.”
PSYCHIC – “Because what it probably wants is Katie.”

You wake up in the middle of the night. In the darkness you can just about make out a black shadow standing at the door. It doesn’t move. It’s just standing there, watching you. You close your eyes but when you open them again the shadow is still there. In a panic, you slowly reach down to the side of your bed, being careful not to take your eye off the shadow, and grab your phone, turning it on. What little illumination it provides is just enough to dimly light the room and reveal… a coat, hanging from the door. Relieved, you lie back down again and close your eyes, but something lingers in your head that maybe, just maybe, the coat was a trick and the real monster is still quietly and invisibly watching over you.

The believable relationship between Katie and Micah helps the film's credibility

If you can relate to this sort of thing and have experienced similar moments before where you’ve nervously studied shapes in the dark to figure out what they are, then Paranormal Activity may quite frankly scare the shite out of you, despite what the “big men” say.

You know the sort of people I mean – the ones who pipe up any time The Exorcist is mentioned, just so they can sound tough and say “Exorcist? Ha, that wasn’t scary at all… in fact, I laughed all the way through it”. Deep down you know that either they’re lying, they didn’t allow themselves to get so emotionally involved with it or, as is increasingly likely these days, they didn’t watch it in the right conditions. And it’s the latter that’s crucially important when watching Paranormal Activity. But more on that later.  Continue reading “Paranormal Activity (2007)”

The Company Of Wolves (1984)

Director: Neil Jordan

Starring: Sarah Patterson, Angela Lansbury, Micha Bergese, David Warner

“Never stray from the path, never eat a windfall apple and never trust a man whose eyebrows meet in the middle.” (Granny, The Company Of Wolves)

Director Neil Jordan is perhaps best known for his contributions to the vampire genre (Interview With The Vampire) and the “chicks with dicks” genre (The Crying Game) but in the ‘80s he also lent his directorial skills to a nifty little werewolf film called The Company Of Wolves, a film so rich in imagery and metaphor that its ideas and themes are still heavily discussed more than 25 years after it was originally released.

"Sorry, I'm currently feeling a bit ruff"

While the prologue is set in the present day, the vast majority of The Company Of Wolves takes place in the fairytale setting of a girl’s dream. In it, a small village lives in fear of the wolves that roam the woods nearby. Rosaleen, a twelve-year-old girl, is caught up in this hysteria when her older sister is killed by the wolves and she’s sent to stay with her granny for a while.

There her granny tells her a bunch of stories, which play out one by one over the course of the film – some told by granny, others recounted by Rosaleen to her mum later on. Eventually, Rosaleen herself becomes the subject of one of the tales – a werewolf version of Little Red Riding Hood – and is confronted with one of the beasts in her granny’s house.  Continue reading “The Company Of Wolves (1984)”

Demons Never Die (2011)

Director: Arjun Rose

Starring: Robert Sheehan, Jennie Jacques, Jason Maza, Ashley Walters, Reggie Yates, Tulisa Contostavlos

“The truth is we’ve all thought about it at some point – death that is. Life can be painful, we’d like to know that we can end it all if we had to. The warning signs are there if you look hard enough. Those pretty girls who seem to have everything – smiles on the outside, but inside they’re broken.” (Bates, Demons Never Die)

Slasher films have been ten-a-penny since the early ’80s but Demons Never Die is to be commended for trying something different – it’s a slasher film where the victims actually want to die.

Set in London, Demons Never Die tells the story of a group of college students, depressed for various reasons, who have all agreed to carry out a suicide pact. They decide that they’ll all meet up somewhere in the near future and overdose on pills together. While they’re in the process of arguing the whens, wheres and hows of this grim little arrangement however, someone in a mask is offing them one-by-one anyway, annoying the other members of the group who think their chums are killing themselves on their own instead of sticking to the pact.

Here's the lovely Tulisa, double-checking the script to see if she's really only in the first two minutes of the film

It’s an interesting idea (at least initially), but one that throws up its own problems. Many slashers suffer in their inability to make the audience feel empathy for its characters – in between all the killings and screaming it’s often hard to develop a character enough that the person watching grows to like them and doesn’t want them to die. Since the characters here all start off wanting to die anyway, it’s very hard to build up some sort of sympathy for them and think “oh, I hope they don’t get killed”, since you know they’re going to run off and have a hundred Nurofen later anyway.  Continue reading “Demons Never Die (2011)”

Humanoids From The Deep (1980)

Director: Barbara Peeters

Starring: Doug McClure, Ann Turkel, Vic Morrow

Also known as: Monster

“It’s my theory that these creatures are driven to mate with man now in order to further develop their incredible evolution.” (Dr Susan Drake, Humanoids From The Deep)

When all’s said and done, you can’t beat a good Roger Corman film. Corman is the godfather of B-movie cinema and has produced well over 300 low-budget films over the past 50 years, the vast majority of which have been cheesy horror films heaving with gore, titillation or both. Humanoids From The Deep falls into the “both” category and is silly fun, though there it does have one or two questionable moments.

It’s set in the small fishing resort of Noyo, where the townsfolk are in the process of celebrating the announcement of a salmon cannery which is to be built there, greatly increasing the fishermen’s productivity. Good news!

"I think your dog's got worms, mate"

Oh, except for the fact that the company building the cannery is also responsible for experiments in salmon growth hormones, which have spread into the sea and somehow led to the creation of bizarre slimy half-man half-fish monsters that like to swim out of the sea and onto land, ripping the faces off any men they find and raping the women. And, in case you hadn’t guessed, it’s here where Humanoids From The Deep gets a bit iffy.  Continue reading “Humanoids From The Deep (1980)”

Twilight (2008)

Director: Catherine Hardwicke

Starring: Kristen Stewart, Robert Pattinson, Taylor Lautner

“I hate you for making me want you so much.” (Edward, Twilight)

I’ve spoken of my dislike of a Twilight film before when my girlfriend dragged me to see Breaking Dawn Volume 1, but since then said girlfriend has become a fiancée and as such the values of compromise, sharing and such bollocks are reinforced more than ever. It’s for this reason then that I was recently sat down in front of Twilight, the first film in the interminable Twilight saga and the only one I hadn’t had the “pleasure” of seeing yet. Needless to say, my thoughts on the series haven’t changed after watching this 110-minute prologue.

Not everyone has nearly two hours to watch a bunch of fannies jumping about and pretending to be vampires, so I’ve decided to present you with a slightly rewritten version of the Twilight script. I’ve basically taken out all the needless romance stuff and left you with the core story. Enjoy.  Continue reading “Twilight (2008)”

Beware: Children At Play (1989)

Director: Mik Cribben

Starring: Michael Robertson, Rich Hamilton, Robin Lilly, Lori Tirgrath

“Tear her to pieces! Bite through the bone! Gulp the blood! Gobble the flesh!” (Glen Randall, Beware: Children At Play)

The fine people at Troma specialise in making and distributing incredibly low-budget films that, while lacking in spectacle, certainly aren’t lacking in ambition and sheer balls. Beware: Children At Play is one such movie, one with a plot so taboo there’s no way it’d be distributed by a big studio.

It tells the story of John DeWolfe, an author who specialises in crime and the paranormal. He travels to the countryside with his wife and daughter to visit his friend Ross, who’s a sheriff in a tiny country town. Ross’s daughter has been missing for weeks, as have many of the other children in the area, and he wants to know if John has any ideas on how to find them.

It's so much like Children Of The Corn they've even got a corpse up on a cross

What they don’t realise is that all the missing kids – Ross’s daughter included – have formed an odd group of feral children who, under the leadership of an older, manipulative teenager, roam the woods killing and eating anyone who steps onto their turf. Sometimes one of them will head back to the town to lure adults into following them into the woods and to their death, or at times if it’s a woman who’s been trapped the older teen will rape her to try and keep the evil seed going. Or something, I dunno. It’s just an excuse to get some baps on the screen, though it’s pretty dodgy.  Continue reading “Beware: Children At Play (1989)”

Aliens (1986)

Director: James Cameron

Starring: Sigourney Weaver, Michael Biehn, Paul Reiser, Lance Henriksen, Bill Paxton, Jenette Goldstein, Carrie Henn

“We’d better get back, cause it’ll be dark soon and they mostly come at night. Mostly.” (Newt, Aliens)

It’s very rare that a sequel not only offers a complete change of pace from that of its predecessor but also manages to match it in terms of quality. Aliens is one such film, one that has a very different feel to Alien but is still a fantastic film regardless.

After her epic battle with the Alien at the end of the first movie, Ripley (Sigourney Weaver) takes a well-deserved rest in her ship’s hypersleep chamber. Turns out she was a little too tired though, because she remains asleep in suspended animation for 57 years and by the time she’s found by a salvage ship and brought back to the company she used to work for she’s told her 10-year-old daughter has died of old age.

Safe to say, Ronaldinho's dentist had a hell of a job ahead of her

The company doesn’t believe Ripley’s stories about the parasites they found on the planet in the first film, explaining to her that there’s a colony of people living there now and they haven’t reported any problems. They suspend her from her duties for destroying their pricey mining ship in the first film, and tell her to go see a psychiatrist. That is, until a few months later, when they come crawling back and tell her that they can’t get in touch with the colonists on the planet and have the feeling something’s wrong. Hmmm, wonder what it could be, hope they’re alright.  Continue reading “Aliens (1986)”