Argo (2012) review

Argo posterDirector: Ben Affleck

Starring: Ben Affleck, Bryan Cranston, Alan Arkin, John Goodman

“Okay, you got six people hiding out in a town of what, four million people, all of whom chant “death to America” all the livelong day. You want to set up a movie in a week. You want to lie to Hollywood, a town where everybody lies for a living.

Then you’re gonna sneak 007 over here into a country that wants CIA blood on their breakfast cereal, and you’re gonna walk the Brady Bunch out of the most watched city in the world?” (Lester, Argo)

Regular readers of this site will have gathered by now that I don’t often go for the heavier stuff. Life’s serious enough as it is without having even more terorrism, war and courtroom drama thrust in your eyeholes, so that’s why I’m generally more Motel Hell than Hotel Rwanda when it comes to film taste. Still, I do appreciate a good film no matter what genre, so when Argo gathered a lot of attention at the Oscars I thought “Ar, go on then” (sorry).

Argo pic 1
“Well, it’s a bit too late to learn the script now because we’re actually shooting the film at this moment.”

It’s based on the real-life story of the ‘Canadian caper’, an extraordinary event in which a man was sent into Iran and tasked with getting six American diplomats back to the US while an anti-American revolution was ensuing in the background.

You see, years prior America had been backing Mohammad Reza, an Iranian shah (king) who had made life miserable for Iranians for many years. When the Iranians revolted the shah fled and America allowed him to travel there for medical treatment. Iran wanted him back so the entire country could kick the living pish out of him, but the US refused, so the Iranian people went apeshit, started massive street protests and stormed the US embassy, taking 52 of its workers hostage as they tried to destroy any incriminating files. Continue reading “Argo (2012) review”

Taken (2008) review

Taken posterDirector: Pierre Morel

Starring: Liam Neeson, Leland Orser, Famke Janssen, Maggie Grace

“I don’t know who you are. I don’t know what you want. If you are looking for ransom, I can tell you I don’t have money. But what I do have are a very particular set of skills, skills I have acquired over a very long career. Skills that make me a nightmare for people like you.

If you let my daughter go now, that’ll be the end of it. I will not look for you, I will not pursue you. But if you don’t, I will look for you, I will find you, and I will kill you.” (Bryan Mills, Taken)

Taken is one of those films that chooses to be completely ridiculous from start to finish, has absurd levels of action, packs plenty of unrealistic coincidences throughout its plot, leaves umpteen gaping plot holes in its wake, then flicks you a folded piece of paper and tells you that it contains information on the number of fucks it gives. Then, when it drives off on its flaming motorbike, you unfold the paper and look inside. It’s blank.

Liam Neeson plays Bryan Mills, a retired CIA agent who’s given up everything he had to move near his daughter Kim, who lives with his ex-partner (played by Famke Janssen). Since he cares for his daughter so much, he’s overly protective of her and as such is concerned when she asks him if she can go on holiday with her friend. Mind you, it’s understandable – she’s only 17 (even though she looks older… mainly because she’s played by a 25-year-old).

Get used to this picture, you'll see it a hell of a lot
Get used to this picture, you’ll see it a hell of a lot

It turns out his suspicions were spot on when, during a phone call to him, Kim is abducted from her French rental apartment by a bunch of Albanians who have dodgy plans for her… I won’t ruin the specifics but needless to say they’re probably fortunate she’s actually 25.

It’s here where things start to get ever-so-slightly unrealistic, as Bryan sends the recording of the phone call to his CIA buddies and finds out the exact region the kidnappers come from. He then heads to Paris to find them, and despite the city having a population of over two million people he finds a lead almost instantly. Continue reading “Taken (2008) review”

The Rise And Fall Of A White Collar Hooligan (2012) review

Director: Paul Tanter

Starring: Nick Nevern, Simon Phillips, Rita Ramnani

“Being a hooligan isn’t a matter of life or death, it’s much more complicated than that.” (Mike, The Rise And Fall Of A White Collar Hooligan)

Don’t be fooled by the title of this one, because The Rise And Fall Of A White-Collar Hooligan is as much about the ins and outs of football hooliganism as The Simpsons is about the inner workings of a nuclear power plant. Yes, you do see the odd spot of layabout soccer yobbery but in total it takes up around 45 seconds of screen time. In reality, it’s actually a film about a large-scale credit card scam, though obviously that idea isn’t as immediately appealing as football hooliganism so that’s why it isn’t called The Rise And Fall Of A Cash Machine Scammer.

Guy Ritchie’s remake of Harry Potter was certainly a change of tone

The film tells the story of Mike, a football thug who’s down on his luck and doesn’t have much money. His far-too-understanding girlfriend is trying her best to keep his spirits up but he realises it’s only a matter of time before she gives up on him. Things look up when Mike meets Eddie, an old mate of his, during one of his hooligan outings. Eddie tells him about a possible dodgy deal that he’s involved in, one that could make Mike rich if he fancies a piece of the action too. Continue reading “The Rise And Fall Of A White Collar Hooligan (2012) review”

Pee-wee’s Big Adventure (1985) review

Pee Wee's Big Adventure posterDirector: Tim Burton

Starring: Paul Reubens, Elizabeth Daily, Diane Salinger, Mark Holton

PEE-WEE – “There’s a lotta things about me you don’t know anything about, Dottie. Things you wouldn’t understand. Things you couldn’t understand. Things you shouldn’t understand.”

DOTTIE – “I don’t understand.”

Though he was something of a household name in America during the 1980s, Pee-wee Herman was never really that famous in the UK. This is no doubt because his much-loved children’s show Pee-wee’s Playhouse was never given the national exposure as it was in the States, instead relegated to an early-morning spot on then-obscure satellite channel Nickelodeon in the early days of Sky. The Americans loved him though, and that’s why he was popular enough to spawn two films (this and Big Top Pee-wee) with a brand new third one on the way courtesy of Judd Apatow.

Pee Wee's Big Adventure pic 1
I’ll be honest, this little lion on the front of Pee-wee’s bike means I do agree it’s the greatest bike ever

Pee-wee’s Big Adventure tells the story of man-child Pee-wee Herman (Paul Reubens) and his quest to find his missing bike. Pee-wee is obsessed with gadgets and gizmos, and his house is littered with all manner of weird and wonderful inventions, but it’s his special red bike that he holds dearest to his heart, much to the annoyance of his rich neighbour Francis. After heading into town and popping into a local joke shop Pee-wee returns to discover his bike has been stolen. Heartbroken, he vows to find out who’s responsible and bring them to justice. Continue reading “Pee-wee’s Big Adventure (1985) review”

Confessions (2010) review

Director: Tetsuya Nakashima

Starring: Takako Matsu, Kaoru Fujiwara, Yukito Nishii, Ai Hashimoto

“Ms. Moriguchi… there is something wrong with this class.” (Mizuki, Confessions)

My good chum and work colleague Tamoor gave me a Blu-ray yesterday and told me: “Watch this, it’ll be perfect for your site.” I got home and gave it a watch. 100 minutes later I was on Amazon ordering a copy for myself, because Confessions is one of the best films I’ve seen in years.

Yuko Moriguchi is a teacher in charge of a class of 13-year-olds, but she’s decided to pack it in. She’s got good reason to, mind you – her young daughter has died and she knows that the two people responsible for it are two of her pupils.

Yuko’s revenge plot is bloody horrible. And once you’ve seen the film you’ll see what I did there

Rather than tell the police and send the two young killers through what she believes is a far too lenient youth justice system, she decides to plot her own revenge, a revenge that – once you learn the true story of what happened to her daughter – will have you questioning whether she’s gone too far.

The first half-hour of Confessions is perhaps the most engrossing that I’ve seen in a long time. It’s essentially one long monologue delivered by Yuko to her students, explaining to them what happened, how she discovered the identities of the killers, and her method of punishment. To say too much would be to spoil a film that really has to be seen with very little knowledge about the plot.  Continue reading “Confessions (2010) review”

The Diary Of Anne Frank (2009) review

The Diary Of Anne Frank coverDirector: George Stevens

Starring: Ellie Kendrick, Iain Glen, Tamsin Greig, Geoff Breton

“I have often been downcast, but never in despair; I regard our hiding as a dangerous adventure, romantic and interesting at the same time.” (Anne, The Diary Of Anne Frank)

Last month I suddenly had the urge to become more cultured, and so I finally did something I’d always wanted to do – I read Anne Frank’s diary. Far be it for me to criticise such a monumental tome, but I wasn’t completely enamoured with it. Although Frank was an incredible writer for her age, being a young teenager who was naturally unaware of the horrible fate awaiting her the majority of the book consisted of spiteful comments about the people sharing the small annex with her as she, her family and four others hid from the Nazis.

In fact, and I’m really truly sorry for anyone offended by this, but had it not been for the historical importance of the book and the fact that we all knew the atrocious details of what happened to Anne Frank after she wrote her diary, you might be forgiven for not really warming to her, or maybe even thinking she was a bit of a knob.

The Diary Of Anne Frank
It’s difficult writing jokey captions about a film like this. Go on, try it.

This TV mini-series made by the BBC, then, can be forgiven for making use of a little poetic license so that Anne is less like the cold, sometimes spiteful teenager she was in her diary and is instead more amiable and downright charming at times. While there are still moments where she’s a bit of a tit, like when she writes her father a cruel letter or when she dismisses her mother’s offer of comfort, for the most part she’s significantly more likeable than she is in her actual diary. Continue reading “The Diary Of Anne Frank (2009) review”

Not Another Teen Movie (2001) review

Not Another Teen Movie posterDirector: Joel Gallen

Starring: Chyler Leigh, Chris Evans, Jaime Pressly, Eric Christian Olsen

“Let’s make like a tree and… branch. Out of here.” (Austin, Not Another Teen Movie)

Everyone has their guilty pleasures, and Not Another Teen Movie is certainly one of mine.  While there have been countless atrocious spoof movies released over the years following the success of Scary Movie, this piss-take of teen flicks from the ’80s and ’90s is one of those rare few that are actually genuinely funny.

Perhaps it’s because its spoofs are so accurate to the movies they’re parodying, but with jokes not so specific that they’ll be lost on those who haven’t seen these films.

Not Another Teen Movie pic 1
“If this isn’t enough to turn you on, how about if I tell you that in a decade’s time I’m going to be Captain America?”

Or perhaps it’s because both generations of teen flick fans – the ’80s kids and the ’90s kids – are catered for in equal measure. ’80s films like The Breakfast Club, Pretty In Pink, Ferris Bueller’s Day Off and Porky’s are imitated to perfection, while ’90s movies like 10 Things I Hate About You, Bring It On, American Pie and Cruel Intentions are also aped. This also extends to the soundtrack, which mainly consists of ’80s songs being covered by modern bands. Well, modern by late ’90s standards. Continue reading “Not Another Teen Movie (2001) review”

Drive (2011) review

Director: Nicolas Winding Refn

Starring: Ryan Gosling, Carey Mulligan, Bryan Cranston, Albert Brooks, Ron Perlman

“There’s a hundred-thousand streets in this city. You don’t need to know the route. You give me a time and a place, I give you a five minute window. Anything happens in that five minutes and I’m yours. No matter what. Anything happens a minute either side of that and you’re on your own. Do you understand?” (The Driver, Drive)

I didn’t really know what to expect when I put Drive into my Blu-ray player. To be perfectly honest, though it had received rave reviews from people I knew, people whose opinions I trusted, I just couldn’t get excited about it. Ultimately I ended up renting it and giving it a go purely because my fiancee wanted to see it. I’m glad I finally did, because it’s a sensational film.

Doug's surprise 40th birthday party was about to go horribly wrong

Drive tells the story of an unnamed driver (Gosling) who works as a movie stuntman during the day and is a freelance getaway driver for criminals at night. After falling for his next-door neighbour (Mulligan) and deciding to help out her jailbird husband, things end up going pear-shaped and the driver has to struggle to ensure not only his own survival, but that of his neighbour’s family.

Ryan Gosling puts in a curious but ultimately appealing performance as a man who says very little throughout the film. There are moments of dialogue when it’s really essential to get the point across but a lot of Drive consists of Gosling and Mulligan staring at each other without saying anything. And yet, that’s partly what makes the film so interesting, because their chemistry is such that they both do such a great job of saying an awful lot without actually saying anything.  Continue reading “Drive (2011) review”

Dollman (1991) review

Director: Albert Pyun

Starring: Tim Thomerson, Jackie Earle Haley, Kamala Lopez

OVERWEIGHT KID – “That’s a Kruger blaster! The most powerful handgun in the universe!”

DOLLMAN – “That’s right, fat boy.”

While Full Moon Features is still going these days, it’s probably fair to say that most of the stuff it puts money into is utter shite. The likes of Dangerous Worry Dolls, Gingerdead Man and Killjoy, while entertaining to those who get a kick out of watching bad movies, just can’t cut it overall. This wasn’t always the case though – back in the late 80s and early 90s Full Moon Productions (as it was known then) was a powerhouse in the world of low-budget, straight-to-video sci-fi and horror. Film series like Puppet Master, Subspecies and Trancers were much-loved by genre fans at the time, and the Videozone making-of features at the end of each tape (long before DVD, mind) helped gain Full Moon a cult following of fans. Dollman was one of the films Full Moon released during that time period, and it’s easily one of the silliest.

The cast of Cheaper By The Dozen were somewhat taken aback by Steve Martin's diva attitude

Dollman opens on a planet many light years away with its hero Brick Bardo coming face-to-face with his nemesis, the criminal Sprug. On this planet if you commit a misdemeanour and are caught you have a body part removed as punishment, so when you consider Sprug is just a head on a floating platform, it’s obvious he’s a nasty bugger. Still, that doesn’t stop him jumping (well, rolling) into his spaceship and trying to leave the planet, with Brick following in hot pursuit. The two ships crash-land on Earth (the Bronx, to be precise), so Brick has to find a way to repair his ship and get back to his own planet before Sprug finds him. There’s just one thing – on Earth, Brick is only thirteen inches tall.  Continue reading “Dollman (1991) review”

Super 8 (2011) review

Director: JJ Abrams

Starring: Joel Courtney, Riley Griffiths, Elle Fanning, Kyle Chandler, Ryan Lee, Zach Mills, Gabriel Basso

“Stop talking about production value, the Air Force is going to kill us.” (Cary, Super 8)

I’ve complained a few times on That Was A Bit Mental that they don’t make films like The Goonies or The Monster Squad any more – films where children act realistically, talk over each other, swear from time to time and are in genuine danger throughout their adventure. Super 8 is proof that, though rare, these films can still exist in modern cinema.

Set in 1979, Super 8 tells the story of a group of 13-year-olds who meet up on occasion to shoot a low-budget zombie film using their Super 8 movie camera. While filming a scene near a railway line they manage to catch film of a train speeding past them, colliding with a truck on the line and causing the mother of all train crashes. Running over to the truck they find their biology teacher behind the wheel, who cryptically tells them that they and their families are all going to die if they tell anyone what happened. Little do they know that the train contained a huge alien life form – one who’s now free, not too chuffed at the way it’s been treated, and well up for a shitstorm.

Hull city centre had seen better days

Put bluntly, this film is superb. The first half-hour is charming as you instantly fall in love with all the kids in the group (not in that way you maniac). Their dialogue is completely believable and you completely buy into the idea that they’re a bunch of close friends, in particular the main character Joe and his chunky chum Charles (the director of the kids’ film). The introduction of Alice (the wonderful Elle Fanning) makes things even more entertaining as you see this group of young teenage boys swooning over her but still trying to act cool. It’s all just so genuine.  Continue reading “Super 8 (2011) review”