Starring: Amy Steel, John Furey, Warrington Gillette
“I told the others, they didn’t believe me. You’re all doomed! You’re all doomed!” (Crazy Ralph, Friday The 13th Part 2)
It’s common knowledge among horror fans that Jason isn’t actually the killer in Friday The 13th, and it’s in fact his mum who wanders around coating the forests of Camp Crystal Lake with teenage blood. Eager to cash in with a sequel but realising they couldn’t pull off the same trick twice (not to mention the fact that Mrs Voorhees was decapitated at the end of the first film), Paramount decided it was time to finally introduce Jason himself.
Before opening with a short prologue to ensure the first film’s heroine is quickly done away with, Friday The 13th Part 2 jumps forward five years to introduce us to a new group of potential teenage victims. These cheery (and horny) scamps are headed to the countryside to take part in a training session so they can learn how to be camp counsellors. Continue reading “Friday The 13th Part 2 (1981) review”→
Starring: Alex Vincent, Jenny Agutter, Christine Elise, voice of Brad Dourif
“Why fight it, Andy? We’re going to be very close. In fact, we’re gonna be fucking inseparable. ” (Chucky, Child’s Play 2)
You just can’t keep a bad doll down. Even though it seemed fairly clear Chucky was dead at the end of the original Child’s Play, it turns out while the body was weak the spirit was still willing. So when the company responsible for Good Guy dolls gets hold of Chucky’s remains and sets about cleaning the doll up as a publicity stunt to show it wasn’t cursed, Chucky’s soul awakens again and shit goes down. He then sets about finding Andy, the kid from the first film (who’s now staying with a foster family after his mum was deemed… well, a bit mental), to finally take over his body.
Mick Hucknall resorted to extreme measures to get youngsters to attend his gigs
In a way, Child’s Play 2 is faced with the same dilemma as Jaws 2 – when you know who the killer is and you’ve already had a good look at them at the end of the previous film you can’t spend another 50 minutes playing it all mysterious. Half the original Child’s Play was spent trying to guess if Andy’s doll really was the one doing the killings, or whether it was just Andy using the doll as an excuse. Now we all know it’s Chucky, that whodunit angle goes right out the window for the sequel, which is why this time Chucky springs into life and starts the bodycount before your arse has even started to warm the seat.
"Of course you're winning, you've got Mr Blue reading my cards, you fucking crook"
Andy’s foster home provides a refreshing change of scenery while still keeping the story grounded in reality a little – his foster parents understandably think all the events from the first film were in Andy’s head and so they aren’t having any of it when Chucky finally tracks him down and he tries to convince them to kill it. Instead they think it’s Tommy, a different Good Guy doll they bought which, unknown to them, Chucky has already buried in the back garden. Having Andy trapped in an unfamiliar house with his would-be killer with no way of convincing anyone to help him creates an interesting tension which at least brings back the whodunit angle in some form, even though we’re all in on it this time.
"This head scratcher is marvellous"
A few unconvincing kills later (it’s hard to imagine a small doll can effectively beat someone to death with a ruler or be strong enough to suffocate someone with a plastic bag) the film finds itself in its final location, a huge toy factory where the Good Guys are manufactured. It’s a fun setting for the typical fifteen minutes of “killer stalking the heroes” shenanigans you’d expect from an early ‘90s slasher, with loads of conveyor belts and dangerous equipment lying around to keep things lively.
It all has to end eventually though, and Chucky’s demise this time is even more decisive than it was in the first movie, leaving absolutely no chance that they could put him together for a third film… or could they?
Although its predecessor was a stronger film when it was first released, now we all know Chucky is the killer these days Child’s Play 2 is the more entertaining movie. It’s got more action, more tension and more Chucky quips. It’s still not exactly a classic, but if you’re looking for one Chucky film to watch from the pre-comedy trilogy this is the one to go for.
WHERE CAN I BUY IT? Brits can get the UK DVD version here fairly cheap. Americans, meanwhile, can get either the the US DVD here or get it as part of the Chucky Killer DVD Collection, which contains Child’s Play 2, Child’s Play 3, Bride Of Chucky and Seed Of Chucky.
It’s hard to truly appreciate Child’s Play nowadays, since the first 40 minutes of the film are completely ruined. When it was first released it was genuinely chilling, a gripping whodunnit with a paranormal twist. Of course, nowadays everyone already knows ‘whodunnit’ and so the first half of the movie is spent waiting for the film’s characters to catch up and find out what the rest of the world already knows – that the killer is a doll.
Poor little Andy (the adorable Alex Barclay) wanted a Good Guy doll for his birthday, but his mum couldn’t afford one so she just got him clothes and a shitty Good Guys tool kit instead. Noticing his disappointment, Andy’s mum thinks she’s struck it lucky later that day when a peddler near her work is selling knock-off Good Guy dolls stolen from a burnt-out toy shop. She buys one for $30 and is suddenly the greatest mum in the world again.
"And you're sure this operation will work doctor? I really don't want to be a Siamese twin any more"
This doesn’t last, because it soon emerges that this particular doll is possessed by Charles Lee Ray (Brad Dourif), a serial killer and voodoo nut who transforms his soul into the doll just before he’s killed by a police officer. The doll, Chucky, sets about killing Andy’s babysitter as well as the other criminal chaps who screwed him over before his ‘death’. Cue various explosions and voodoo doll stabbings.
Since it’s the first film, the audience isn’t supposed to know Chucky is the killer. There are plenty of moments where it’s suggested (he leaves footprints on a table, seemingly blows up a building and so forth), but every time someone’s killed Andy’s close by, leaving some doubt in the audience’s mind – isn’t it just Andy doing the killing and blaming it on his doll?
Chucky was amused at the dog licking its balls in the room opposite
The special effects used to create the Chucky doll vary in quality throughout the film. In some scenes where Chucky speaks – most notably when he talks at length with his former voodoo mentor – the lip-syncing doesn’t really work too well due to the limitations of the robotics in the face and as such the illusion is shattered a bit. Other shots, particularly the far ones where Chucky is instead a midget actor wearing a Chucky mask, are far more effective and much creepier because the realistic movement makes it look more like a human in a doll’s body.
Child’s Play shouldn’t really have taken off the way it did. While the cast all put in great performances the kills are fairly dull and the two “he’s dead, or is he” endings are just silly to watch. The reason it was a success, and rightly so, is that Chucky is a fantastic movie monster. He’s a child’s best friend one minute, a foul-mouthed strangler the next and since his target victim is a six-year-old boy there’s something very sinister to him.
"Stop checking my ruddy temperature Margaret, I said I'm fine woman"
In a way, it was Child’s Play‘s own success that ultimately ruined the first movie’s impact. Once Chucky became a household name and every knew Child’s Play as “the film with the killer doll”, it instantly rendered the film’s first 40 minutes useless. Nowadays even the DVD cover has a big photo of Chucky brandishing a knife, making sure you definitely know what the surprise is just in case you’ve managed to avoid it.
If you’re able to forget for a while that Chucky’s the killer and can try to watch the film in its original context, Child’s Play is good fun. Otherwise, the sequels are better because they kick off with the Chucky action right from the start and don’t spend half the movie trying to make you guess what you already know.
Starring: Nathan Baesel, Angela Goethals, Robert Englund
“Never hang out with a virgin. You got a virgin in your crew, either get somebody in her pants or get the hell away from her.” (Jamie, Behind The Mask)
Behind The Mask is a clever movie. It fools you into thinking it’s only pretty clever, then completely turns things upside down in the final act to show you that, in fact, it’s more than just pretty clever. It’s actually very clever, maybe even ruddy clever.
At first it’s a fly-on-the-wall documentary, with a crew following Leslie Vernon (the oddly appealing Nathan Baesel), an up-and-coming slasher villain who one day dreams of being as famous as Freddy Krueger or Jason Voorhees. Leslie takes the crew round his local haunts, introduces them to his parents and shows them his target girl, the one he’s chosen to stalk serial killer-style.
Yes, it's the wee woman from Poltergeist. She's a bit of a legend
Leslie plans to attack this “hero girl” in typical slasher style, by breaking into the house during the party she’s set to throw with her friends and killing them off one by one. He’ll use every trick in the slasher book to get them, from cutting the power off so one of them goes into the basement, to hiding the bodies in a way that they’re found at just the right time.
Every scene had me smiling with its constant nods to previous horror films and its overall attention to horror cliche detail. Leslie shows how many of the typical horror set-pieces are really done – when a girl’s on her own and the door slam shuts behind her, it’s because the killer has already set up the door and pulled it shut with some fishing wire, and so forth.
You can always rely on Robert Englund to put in a good performance
It’s all entertaining until the night of the party, when the camera crew and presenter are forced with a moral dilemma – do they allow Leslie to go ahead with his plan and actually kill all these kids, or do they try to interfere and risk pissing him off? The resulting final act is gripping stuff with a fantastic twist that, while one you’re likely to figure out five minutes before the characters do, is still smartly handled.
Behind The Mask is a surprisingly original movie with a strong cast. A notable mention should go to Robert Englund as he performs his best professor-who-knows-the-killer impression in the style of Donald Pleasance in Halloween, while the rest of the cast is similarly appealing. I strongly recommend this if you fancy something different.