Starring: Gordon Currie, Chandra West, Ian Ogilvy, a load of puppets
“You do see my problem, don’t you? You are asking an awful lot of me. A little monster, an agency or cult protecting some ancient magic… you must admit it is rather fantastic.” (Jennings, Puppet Master 5: The Final Chapter)
You can’t have a successful horror film series without at least one entry boldly (and falsely) claiming it’s the final one.
The sixth Nightmare On Elm Street film, Freddy’s Dead: The Final Nightmare, was succeeded by three more films starring the finger-gloved freak.
Even better, Friday The 13th: The Final Chapter – the fourth film in the series – was actually far from the final chapter, with Jason appearing in eight subsequent movies.
Full Moon, the studio behind the Puppet Master series, realised it sooner than this. By the end of Puppet Master II, in which the killer puppets are double-crossed by their evil owner, the audience is expected to start feeling sympathy for them.
Starring: Elizabeth Maclellan, Collin Bernsen, Steve Welles, Greb Webb
“No one escapes.” (Andre Toulon, Puppet Master II)
I’ve got a bit of a soft spot for the Puppet Master series, as you’ll already know if you read my review of the first film a while back.
This second outing for Full Moon Pictures’ wooden wonders offers more of the same, with stop-motion puppetry, supernatural skullduggery and sub-standard acting the order of the day.
The movie begins with our anti-heroes, still living at the Bodega Bay Inn, facing a dilemma. You see, the reason they’re alive in the first place is because their titular puppet master, Andre Toulon, developed a serum that could bring life to inanimate objects.
The problem is, the serum’s running out, and Andre Toulon pebble-dashed a wall with his brains in the ’40s when he shot himself to avoid capture by the Nazis, so if they can’t get any more serum soon they’ll be a bit fucked. Continue reading “Puppet Master II (1990) review”→
Starring: Paul Le Mat, William Hickey, Irene Miracle, Jimmie F Skaggs, Robin Frates, Matt Roe
“Metaphysically speaking, I killed myself.” (Neil, Puppet Master)
Over the past few months many of my reviews have been dedicated to films by Full Moon, one of my favourite B-movie studios.
Full Moon were responsible for a raft of low-budget 80s and 90s horror films and while the majority were as atrocious as you’d expect (hence exhibits A, B, C, D and E here), every so often they’d come up trumps with a gem.