Halloween II (1981) review

Halloween IIDirector: Rick Rosenthal

Starring: Jamie Lee Curtis, Donald Pleasance, Charles Cyphers, Dick Warlock

“He was my patient for fifteen years. He became an obsession with me until I realised there was neither reason nor conscience or anything about him that was even remotely human. An hour ago I stood up and fired six shots into him and he just got up and walked away. I am talking about the real possibility that he is still out there.” (Dr Loomis, Halloween II)

Everyone (including me) always goes on about how incredible the first Halloween was, and with good reason. It was a landmark in horror history and one of the first true pioneers of the slasher genre. It’s understandable then that its sequel doesn’t get quite as much recognition but it’s a shame because while it isn’t quite as innovative or genre-defining as its predecessor it’s still a strong slasher and a decent conclusion to what John Carpenter had only ever intended to be a two-film story.

Halloween II
“Sorry? In my beard? Oh, it’s a bit of bread. I was eating soup earlier”

Carpenter only wrote Halloween II, this time passing the directing duties to newcomer Rick Rosenthal. The film’s first five minutes are a recap of the last five minutes of its predecessor, reminding us of the final confrontation between Laurie Strode (Jamie Lee Curtis) and Michael Myers, and the eventual saving of the day courtesy of Dr Sam Loomis (Donald Pleasance). After the original film’s ending, with Loomis firing six shots into Myers (though some dodgy editing means this time he actually shoots him seven times) and “the Shape” legging it, the rest of the film then takes place from that immediate point on and shows what happens over the rest of the night.

As Laurie is taken to the nearby hospital to be treated for her injuries from her scrap with Myers, Dr Loomis and the Haddonfield rozzers continue their search for him. While in theory this shouldn’t be too hard – after all, they just have to look for the guy with six or seven gunshot wounds – it turns out they’re wasting their time, because Myers is actually at the hospital, trying to find Laurie and kill her. Continue reading “Halloween II (1981) review”

Halloween 5: The Revenge Of Michael Myers (1989) review

Halloween 5 posterDirector: Dominique Othenin-Girard

Starring: Donald Pleasance, Danielle Harris, Ellie Cornell, Wendy Foxworth, Don Shanks

“I prayed that he would burn in Hell, but in my heart I knew that Hell would not have him.” (Dr Sam Loomis, Halloween 5)

While Halloween 4 wasn’t the greatest slasher ever made, it did at least have a cracking ending that suggested the inevitable fifth film would take the series in a twisted new direction. This makes Halloween 5 all the more frustrating then, because not only is it a pile of pish but its predecessor had practically spelled out how it could have done it better.

(spoiler alert for Halloween 4 in the next paragraph, folks)

Halloween 5
“Don’t worry, I’m sure he won’t stab me. No, I haven’t seen the other Halloween films. Why do you ask?”

Halloween 4 ended with young Jamie Lloyd (Danielle Harris) going a tad mental and stabbing her foster mother while dressed up in a clown outfit, much like young Michael Myers did at the start of the original Halloween. Many took this to mean that Jamie was going to follow in her uncle’s footsteps and continue his killing spree. Instead Halloween 5 decides that her foster mum survived and Jamie was sent to a children’s psychiatric hospital, where she recovered. Bottlers.

(spoilers end now, innit)

When we join Jamie at the start of Halloween 5, she’s been in a psychiatric hospital for the past year. The trauma of the events in the previous film have led to her losing her voice, but her foster sister and her friend Tina (the annoying Wendy Foxworth) visit her regularly to bring her gifts and the like. She’s also got a little friend, a fellow nine-year-old called Billy who’s clearly trying to get fired in even though she’s not much of a talker. Good man Billy, beggars can’t be choosers. Continue reading “Halloween 5: The Revenge Of Michael Myers (1989) review”

Halloween 4: The Return Of Michael Myers (1988) review

Halloween 4 posterDirector: Dwight H Little

Starring: Donald Pleasence, Danielle Lloyd, Ellie Cornell, George P Wilbur

“We’re not talking about any ordinary prisoner, Hoffman. We are talking about evil on two legs.” (Dr Sam Loomis, Halloween 4)

While Halloween III: Season Of The Witch wasn’t a bad movie by any means (in fact, judging by the films to follow it was one of the better entries in the series), many moviegoers were enraged when they found that the film they’d gone to see didn’t continue the story of evil stalker Michael Myers and was instead a completely different tale about a nutjob plotting to kill children with cursed Halloween masks powered by Stonehenge. A brilliant (if fucking insane) idea, sure, but you can understand people’s annoyance at paying for a Halloween film and not getting to see Michael Myers.

Halloween 4
“Oh, hello there. Um, this is awkward. You weren’t supposed to know I was here. Boy, is my face white.”

As explained in the Halloween III review, this was mainly down to John Carpenter’s wish to make the Halloween movies a collection of unrelated stories all based on Halloween. The first two films would be the Michael Myers story, the third would be the one about the cursed masks, the fourth would be something completely different again. When the fans turned on this idea and the studio told Carpenter they wanted a standard slasher with Michael Myers in it he decided “fuck you then” and ditched the series altogether.

Determined to to make some serious greenbacks with a Myers return, producer Moustapha Akkad decided to start work on Halloween 4, being sure to include “The Return Of Michael Myers” as part of its title to ensure people who’d abandoned the series knew they were getting him this time. In a rush to beat the writer’s strike of the late ’80s, the entire film was written in 11 days. The result is a movie that, while not great, did a decent job of bringing back “The Shape”. Continue reading “Halloween 4: The Return Of Michael Myers (1988) review”

The Prophecy (1995) review

Director: Gregory Widen

Starring: Christopher Walken, Elias Koteas, Virginia Madsen, Eric Stoltz, Viggo Mortensen, Moriah Snyder

Also known as: God’s Army

“I’m an angel. I kill firstborns while their mamas watch. I turn cities into salt. I even – when I feel like it – rip the souls from little girls. And from now until kingdom come, the only thing you can count on in your existence is never understanding why.” (Gabriel, The Prophecy)

Angels, eh? They’re a bloody nuisance. They’re not happy with being all immortal and that, they want control of Heaven too. That’s why there’s a ruddy big war up in the clouds, and that’s why some angels have come to Earth to try to find something that will gain them an advantage in their holy war.

Chad Kroeger was falling on hard times

As luck would have it, they’re both after the same thing – the soul of a dead colonel who was, by all accounts, a bit of a hard man and a complete prick, as most men who peel the faces off Chinese soldiers tend to be. The angels believe that with this soul, they can finally win the war in Heaven.

Good angel Simon finds the soul first, and hides it by placing it inside a little girl called Mary. Meanwhile, fallen angel Gabriel (Walken) is looking for it too and is perfectly willing to rip Mary apart to get it. It’s up to a police detective (Koteas) and Mary’s teacher (Madsen) to make sure that doesn’t happen. No wonder teachers strike for better wages.  Continue reading “The Prophecy (1995) review”

The Ring (2002)

Director: Gore Verbinski

Starring: Naomi Watts, Martin Handerson, Brian Cox, David Dorfman, Daveigh Chase

“My wife was not supposed to have a child.” (Richard Morgan, The Ring)

Legend has it there’s a dodgy video tape doing the rounds, one with no markings on it and no cover. If you watch it you’re presented with a strange series of images and eerie sounds, after which the phone will ring in your house and a child’s voice will inform you that you have seven days to live. Sure enough, one week later, if you don’t figure out the tape’s secret and do what you’re supposed to do, you’ll die a grisly death. If you ask me, these anti-piracy campaigns are getting a little heavy-handed.

She just couldn't bear to switch over to digital, but it was too late

Of course I’m pulling your leg, you cheeky young tyke. I’m instead referring to the cursed tape in The Ring, the American remake of the cult Japanese favourite Ringu. When journalist Rachel’s (Watts) niece watches the tape with her friends and all four die separately at exactly the same time, Rachel decides to investigate and see what’s really going on. By watching the tape first to see if the same thing will happen to her, naturally.  Continue reading “The Ring (2002)”

Aliens (1986)

Director: James Cameron

Starring: Sigourney Weaver, Michael Biehn, Paul Reiser, Lance Henriksen, Bill Paxton, Jenette Goldstein, Carrie Henn

“We’d better get back, cause it’ll be dark soon and they mostly come at night. Mostly.” (Newt, Aliens)

It’s very rare that a sequel not only offers a complete change of pace from that of its predecessor but also manages to match it in terms of quality. Aliens is one such film, one that has a very different feel to Alien but is still a fantastic film regardless.

After her epic battle with the Alien at the end of the first movie, Ripley (Sigourney Weaver) takes a well-deserved rest in her ship’s hypersleep chamber. Turns out she was a little too tired though, because she remains asleep in suspended animation for 57 years and by the time she’s found by a salvage ship and brought back to the company she used to work for she’s told her 10-year-old daughter has died of old age.

Safe to say, Ronaldinho's dentist had a hell of a job ahead of her

The company doesn’t believe Ripley’s stories about the parasites they found on the planet in the first film, explaining to her that there’s a colony of people living there now and they haven’t reported any problems. They suspend her from her duties for destroying their pricey mining ship in the first film, and tell her to go see a psychiatrist. That is, until a few months later, when they come crawling back and tell her that they can’t get in touch with the colonists on the planet and have the feeling something’s wrong. Hmmm, wonder what it could be, hope they’re alright.  Continue reading “Aliens (1986)”

Alien (1979)

Director: Ridley Scott

Starring: Sigourney Weaver, John Hurt, Ian Holm, Tom Skerritt, Harry Dean Stanton, Yaphet Kotto, Veronica Cartwright

“We’ll move in pairs. We’ll go step by step and cut off every bulkhead and every vent until we have it cornered. And then we’ll blow it the fuck out into space. Is that acceptable to you?” (Ripley, Alien)

It speaks volumes of Alien‘s masterful construction that 33 years after its initial release it’s still one of the most effective sci-fi/horror hybrids ever made. While many sci-fi films of its era look dated beyond belief these days, Alien‘s unique style and pacing ensure it still holds its own (and usually comes out on top) among today’s similar offerings.

It tells the story of the Nostromo, a mining ship that intercepts a strange SOS signal from a nearby planet. Waking from hypersleep, the crew of the Nostromo land on the planet to investigate. There they find a deadly parasite that infects a crew member and uses his body as a host to infiltrate the ship, at which point it begins systematically killing the rest of the crew.

"Come on, the dinner wasn't that bad. I used Uncle Ben's for fuck sake"

The key to Alien’s scare factor is Ridley Scott’s clever use of the “Jaws technique” – by showing as little of the monster as possible, Scott has the viewer filling in the blanks themselves, adding what personally scares them and making something much worse than could ever possibly be shown on-screen.

When the Alien is eventually revealed however, it’s to the credit of Swiss surrealist artist HR Giger that his creation is still terrifying in full view. Its long head and extending teeth are as close to a killer penis as you can get, and as the crew members are offed one by one and the film’s heroine is slowly revealed to be Ripley, you can almost hear the amateur psychologists in the audience feverishly scribbling down “inherent fear of penetration” in their mental notebooks.  Continue reading “Alien (1979)”

Dawn Of The Dead (1978)

Director: George A Romero

Starring: David Emge, Ken Foree, Scott Reiniger, Gaylen Ross, Tom Savini

“You know Macumba? Voodoo. My granddad was a priest in Trinidad. He used to tell us: “When there’s no more room in hell, the dead will walk the earth.” (Peter, Dawn Of The Dead)

While once-legendary horror director George A Romero has let his talents go a little wayward recently, the man will always be best known for his Dead trilogy. No film series has inspired more amateur horror filmmakers than Night Of The Living Dead, Dawn Of The Dead and Day Of The Dead. They were the first contemporary zombie movies, the films that wrote the rulebook and laid the foundations on which countless zombie movies, comics and video games in the decades since have built upon. While Night Of The Living Dead was the film that started it all off and created the modern zombie as we know it, its sequel Dawn Of The Dead is the film that many argue is the best of the trilogy. I’m inclined to agree.

Davina McCall zombie and Richard Pryor zombie were first in line at the Next sale

Taking place a short while after the events of Night Of The Living Dead, the original spate of reports of the dead coming to life has now escalated into a full-blown epidemic in which zombies roam the streets and buildings of Philadelphia. Two workers at a TV station realise things are starting to get out of hand and, as they try to escape a building being overrun by zombies and SWAT team members, they meet two soldiers who also think it’s time to bail. They head to the roof, “borrow” the TV station’s helicopter and go in search of a place where the locals are decidedly less bitey.  Continue reading “Dawn Of The Dead (1978)”

Children Of The Corn III: Urban Harvest (1995)

Director: James Hickox

Starring: Daniel Cerny, Ron Melendez, Jim Metzler

ELI – “We who are young have a vision and that is the gift to us from He Who Walks Behind The Rows. Our greatest harvest is to come!”
T-LOC – “Harvest this, motherfucker.”

Let’s face it, there are only so many corn-related scenarios you can plant before the crop gets spoiled, so after Children Of The Corn and its iffy sequel it was decided to take the series to the streets instead. No longer are we dealing with a town full of creepy-looking Amish kids, instead we’ve got two of them living in the city.

Joshua and his younger brother Eli have been moved from Gatlin to live with foster parents in Chicago. Since they come from Amish backgrounds it takes them a little while to get settled into their new city lifestyles, and this is further compounded by the fact that the younger brother is a fucking maniac.

Eli fell for the "shaken Coke can" trick

Things come to a head when the inseparable brothers go to their new city school and are promptly separated (due to their age), which doesn’t go down too well with Eli. While Joshua tries to fit in, learn the city life and befriend his new classmates, Eli instead starts hatching a plot to make everyone pay.  Continue reading “Children Of The Corn III: Urban Harvest (1995)”

Leprechaun In The Hood (2000)

Director: Rob Spera

Starring: Warwick Davis, Ice-T, Anthony Montgomery

“A friend with weed is a friend indeed, but a friend with gold is the best I’m told.” (Leprechaun, Leprechaun In The Hood)

By the time the Leprechaun series reached its fifth instalment horror’s pint-sized Paddy had already terrorised a young Jennifer Aniston, hunted for a bride, rampaged through Las Vegas and even gone into space. Logic therefore dictated that there was only one place left for him to go – the hood.

It probably goes without saying given the title and the premise, but this film is madder than a caravan filled with seahorses. Rapper-turned-actor Ice-T plays Mack Daddy, a pimp who discovers the Leprechaun in a fossilised state and steals his magic flute, which gives him the ability to enchant anyone who hears it.

Oh, did I mention the Leprechaun also has three demonic fly girls? Well he does

In time Mack Daddy becomes a huge rap star thanks to the flute, but when a trio of young up-and-coming rappers ask him for some help and he “disses” them (as the youth of today say) they break into his house, steal the flute, hide out at a drag queen’s house for some reason then use the flute to kick off their own rap career. Oh, and during all this, the Leprechaun’s come out of his stony state and is ready to fuck up whoever has his flute.  Continue reading “Leprechaun In The Hood (2000)”