Taken 2 (2012)

Posted in 2010s, Non-Horror, Reviews with tags , , , , , , on May 2, 2013 by chrisscullion

Taken 2 posterDirector: Olivier Megaton

Starring: Liam Neeson, Maggie Grace, Famke Janssen, Rade Serbedzija

BRYAN – “If I kill you, your other sons will come and seek revenge?”
MURAD – “They will.”
BRYAN – “And I will kill them too.”

When the hero in an action movie ploughs his way through countless baddies, butchering and slaughtering them in the name of our entertainment (as well as whatever cockamamie reason the plot’s given him, of course), we never spare a thought for the families of the recently deceased.

After all, for every nameless terrorist, anonymous criminal and nondescript thug there’s a mother, a father and maybe even a wife and children somewhere mourning the death of a man who may have been a bit of a prick in real life but was always good to them at least. We’re usually never shown these devoted family members in films though, because it humanises the enemies and makes you feel sorry for them, when all you’re supposed to be thinking is “YES, chuck that fanny over the cliff”.

Taken 2 pic 1

“There’s the prick who told me to change at Kennington”

This is the thinking behind Taken 2, which takes place a few months after the events of the first film. Naturally, in order for me to describe the plot you’re going to have to accept that there are a couple of very minor spoilers from the first film ahead (nothing that you couldn’t reasonably predict yourself though).

After Bryan Mills (Liam Neeson) killed a load of Albanians on the way to his kidnapped daughter in the first Taken, the families of the deceased receive the bodies and vow to get revenge on the man that, in their eyes, butchered a village’s worth of young men. Through the traditional Taken plot methods (i.e. absurdly unlikely coincidences) they find Bryan on holiday in Turkey with his ex-wife (Famke Janssen) and daughter Kim (Maggie Grace). Read more »

Argo (2012)

Posted in 2000s, Non-Horror, Reviews, True Story with tags , , , , , on May 1, 2013 by chrisscullion

Argo posterDirector: Ben Affleck

Starring: Ben Affleck, Bryan Cranston, Alan Arkin, John Goodman

“Okay, you got six people hiding out in a town of what, four million people, all of whom chant “death to America” all the livelong day. You want to set up a movie in a week. You want to lie to Hollywood, a town where everybody lies for a living.

Then you’re gonna sneak 007 over here into a country that wants CIA blood on their breakfast cereal, and you’re gonna walk the Brady Bunch out of the most watched city in the world?” (Lester, Argo)

Regular readers of this site will have gathered by now that I don’t often go for the heavier stuff. Life’s serious enough as it is without having even more terorrism, war and courtroom drama thrust in your eyeholes, so that’s why I’m generally more Motel Hell than Hotel Rwanda when it comes to film taste. Still, I do appreciate a good film no matter what genre, so when Argo gathered a lot of attention at the Oscars I thought “Ar, go on then” (sorry).

Argo pic 1

“Well, it’s a bit too late to learn the script now because we’re actually shooting the film at this moment.”

It’s based on the real-life story of the ‘Canadian caper’, an extraordinary event in which a man was sent into Iran and tasked with getting six American diplomats back to the US while an anti-American revolution was ensuing in the background.

You see, years prior America had been backing Mohammad Reza, an Iranian shah (king) who had made life miserable for Iranians for many years. When the Iranians revolted the shah fled and America allowed him to travel there for medical treatment. Iran wanted him back so the entire country could kick the living pish out of him, but the US refused, so the Iranian people went apeshit, started massive street protests and stormed the US embassy, taking 52 of its workers hostage as they tried to destroy any incriminating files. Read more »

Taken (2008)

Posted in 2000s, Non-Horror, Reviews with tags , , , , , , on April 26, 2013 by chrisscullion

Taken posterDirector: Pierre Morel

Starring: Liam Neeson, Leland Orser, Famke Janssen, Maggie Grace

“I don’t know who you are. I don’t know what you want. If you are looking for ransom, I can tell you I don’t have money. But what I do have are a very particular set of skills, skills I have acquired over a very long career. Skills that make me a nightmare for people like you.

If you let my daughter go now, that’ll be the end of it. I will not look for you, I will not pursue you. But if you don’t, I will look for you, I will find you, and I will kill you.” (Bryan Mills, Taken)

Taken is one of those films that chooses to be completely ridiculous from start to finish, has absurd levels of action, packs plenty of unrealistic coincidences throughout its plot, leaves umpteen gaping plot holes in its wake, then flicks you a folded piece of paper and tells you that it contains information on the number of fucks it gives. Then, when it drives off on its flaming motorbike, you unfold the paper and look inside. It’s blank.

Liam Neeson plays Bryan Mills, a retired CIA agent who’s given up everything he had to move near his daughter Kim, who lives with his ex-partner (played by Famke Janssen). Since he cares for his daughter so much, he’s overly protective of her and as such is concerned when she asks him if she can go on holiday with her friend. Mind you, it’s understandable – she’s only 17 (even though she looks older… mainly because she’s played by a 25-year-old).

Get used to this picture, you'll see it a hell of a lot

Get used to this picture, you’ll see it a hell of a lot

It turns out his suspicions were spot on when, during a phone call to him, Kim is abducted from her French rental apartment by a bunch of Albanians who have dodgy plans for her… I won’t ruin the specifics but needless to say they’re probably fortunate she’s actually 25.

It’s here where things start to get ever-so-slightly unrealistic, as Bryan sends the recording of the phone call to his CIA buddies and finds out the exact region the kidnappers come from. He then heads to Paris to find them, and despite the city having a population of over two million people he finds a lead almost instantly. Read more »

Please Don’t Eat My Mother (1973)

Posted in 70s, Creature Features, Horror-Comedy, Killer Inanimate Objects, Monster Movies, Reviews with tags , , , on April 8, 2013 by chrisscullion

Please Don't Eat My Mother posterDirector: Carl Monson

Starring: Buck Kartalian, Lynn Lundgren, a load of other people shagging

HENRY – “Well, that’s murder or something!”
EVE – “Never heard of a plant getting arrested, have you?”

Henry Fudd (which is an even more appropriate name in Scotland) is a weird bastard. He spends his lunch break spying on couples having sex, then after work he goes back home, where he lives with his possessive mother, and locks himself in his room, the walls of which are covered with pages of porno magazines. Oh, and he has a plant called Eve that eats people.

Please Don’t Eat My Mother is essentially a low-budget rip-off of Little Shop Of Horrors, only (as it’s produced by “Sexploitation King” Harry Novak) with more porn and less quality. Eve starts off as a tiny sapling that Henry feeds normal plant food, but before too long she’s grown dramatically and adopted a sexy woman’s voice. The plant asks Henry to bring him increasingly larger food, starting with flies and upgrading to frogs, dogs and eventually people, including – you guessed it – Henry’s mother.

Please Don't Eat My Mother

“C’mere baby and plant one on me. Get it?! PLANT! Because you’re a… let me just unzip these jeans”

It’s a story that might have been more interesting had it been handled better (of course, it already had), but Please Don’t Eat My Mother is a bucket of pish. Buck Kartalian is a bizarre actor to watch – it’s clear the film is supposed to be a cheesy comedy he makes some truly odd facial expressions, chewing the scenery… literally, at times.

The ‘special effects’ (and I mean special in a different way than usual) are the sort of thing you’d expect to see in a school play. The plant looks like a ridiculous papier-mâché creation and its movement is so limited (its mouth moves and that’s it) that it always eats its victims off-camera (complete with over-the-top slurping sound effects and unconvincing whimpers from the victim). Read more »

Real-Life Mental – The Swallow Hotel, Gateshead

Posted in Commentary, Real-life Mental on February 25, 2013 by chrisscullion

This is a review I’ve written for TripAdvisor, but it takes a couple of days to get a review approved on there. In case it isn’t for some reason, I decided to share it here too.

No work and all decay makes this a dull choice

I recently spent a couple of nights at the Swallow Hotel in Gateshead as part of a stag weekend. From Friday to Sunday I was witness to degradation, filth and shame… and the stag weekend was pretty dodgy too.

Upon arrival at the hotel we were checked in by an elderly lady who, while kind, was clearly jaded after years of stag groups passing through her reception area and acting like raucous ne’er-do-wells. After she gingerly handed me my room key (room 602, if you’re asking), I embarked on my Swallow adventure, starting with the dodgiest elevators in England.

This definitely wasn't a recent photo.

This definitely wasn’t a recent photo.

The Swallow has two lifts, with buttons that give you an electric shock when you press them. One has doors that open so slowly it feels like the scene where the aliens emerge from their ship in Close Encounters Of The Third Kind every time you get out. The other whips the doors open with gusto, but feels like a yacht in a storm as it moves between floors, leading to a constant fear that it’ll break down, trapping you in the Swallow’s aging shaft for eternity.

Once I got to my room the Swallow’s “quirks” continued to introduce themselves. The large CRT television was missing the remote control (assuming it had one). “No problem,” I decided, “I’ll just control it using the buttons on the TV itself. Unfortunately, the buttons had been removed, leaving just holes where they should have been. Read more »

Hitchcock (2012)

Posted in 2010s, Reviews on February 10, 2013 by chrisscullion

Hitchcock posterDirector: Sacha Gervasi

Starring: Anthony Hopkins, Helen Mirren, Scarlett Johansson, Danny Huston, Jessica Biel

“You may call me Hitch. Hold the Cock.” (Alfred Hitchcock, Hitchcock)

Films about Alfred Hithcock are just like buses – you wait ages for one and then two come at once (the other being The Girl, with Toby Jones and Sienna Miller). This particular bus is being driven by Anthony Hopkins with Helen Mirren as the conductor. Mind you, buses don’t have conductors any more. I don’t know what she does, then, but the fact is she’s on the bus anyway and she does a ruddy good job doing whatever it is she does. In hindsight, let’s just scrap this bus pish because I’m clearly in over my head.

Hitchcock recounts a particular point in the legendary director’s life. Having just finished North By Northwest and getting increasingly frustrated by the media’s portrayal of him, Hitchcock decides his next film is going to be a controversial film that pushes the boundaries of taste and decency – Psycho. Hitchcock, then, follows the events from Psycho‘s original conception right through to the film’s theatrical premiere. Read more »

House Of Wax (2005)

Posted in 2000s, Reviews, Slashers with tags on January 13, 2013 by chrisscullion

House Of Wax posterDirector: Jaume Collet-Serra

Starring: Elisha Cuthbert, Chad Michael Murray, Brian Van Holt, Paris Hilton

“It is wax. Like, literally.” (Wade, House Of Wax)

I’ve had my own experiences with real-life atrocious wax museums in my life – the Movieland museum in Niagara Falls springs to mind – but at least I wasn’t turned into a wax model while I was there. Mind you, I’d have probably made for a more accurate Mr T than the one that featured there.

The original House Of Wax (1953) was a cracking, eerie film about an insane waxwork artist (played by Vincent Price) who turned real people into wax models. That concept – humans as wax models – is the only thing other than the title to remain in this remake. What’s been learned in the ways of suspense and film-making in the 52 years between each film? Not much, it seems.

I'm sure you can make up your own joke here about Paris Hilton getting a big rod shoved through her

I’m sure you can make up your own joke here about Paris Hilton getting a big rod shoved through her

The 2005 version of House Of Wax starts off, as so many generic teen horror films do these days, with a bunch of annoying students on a road trip. This time they’re heading to “the biggest football game of the year” (because presumably “The Superbowl” was trademarked) and decide it’s best to cut through the countryside roads to get there. As night draws near, they decide to camp out in the middle of nowhere.

Except it’s not quite the middle of nowhere because there’s an odd town nearby with a waxwork museum as its main highlight. When the group wake up the next morning and find the one of their two cars has been sabotaged they split up – some of them take the working car to the football game, the others stay behind to try and fix the car, ultimately finding the creepy town and House Of Wax in the process. Read more »

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